{"id":218,"date":"2022-04-20T13:43:20","date_gmt":"2022-04-20T13:43:20","guid":{"rendered":"https:\/\/esmusica.org\/blog\/?p=218"},"modified":"2022-04-20T13:44:03","modified_gmt":"2022-04-20T13:44:03","slug":"apm-presenta-el-anuario-de-la-musica-en-vivo","status":"publish","type":"post","link":"https:\/\/esmusica.org\/blog\/apm-presenta-el-anuario-de-la-musica-en-vivo\/","title":{"rendered":"APM PRESENTA EL ANUARIO DE LA M\u00daSICA EN VIVO"},"content":{"rendered":"<p>Un a\u00f1o m\u00e1s, la Asociaci\u00f3n de Promotores Musicales (APM) ha presentado en <strong>IFEMA MADRID<\/strong> la nueva edici\u00f3n del <strong>Anuario de la M\u00fasica en Vivo <\/strong>y los principales retos del sector.<\/p>\n<p>En esta edici\u00f3n se destaca\u00a0una t\u00edmida recuperaci\u00f3n del negocio, pues los datos del sector en 2021 quedan todav\u00eda muy lejos de la recaudaci\u00f3n registrada antes de la pandemia del COVID-19, cuando se superaron los 300 millones de recaudaci\u00f3n, concretamente 333,9 millones de euros en 2018 y 382,5 millones de euros en 2019. Tomando como referencia la \u00faltima d\u00e9cada, los datos del 2021 igualan la facturaci\u00f3n de 2013, a\u00f1o en el que se registraron\u00a0158,1\u00a0millones de euros.<\/p>\n<p>Aunque a\u00fan recuper\u00e1ndose del batacazo \u00abdemoledor\u00bb de la pandemia, podemos decir que la industria de la m\u00fasica en directo afronta 2022 con \u00abcauto\u00bb optimismo.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\"><p>Un a\u00f1o m\u00e1s, la Asociaci\u00f3n de Promotores Musicales (APM) ha presentado en IFEMA MADRID la nueva edici\u00f3n del Anuario de la M\u00fasica en Vivo y <a class=\"mh-excerpt-more\" href=\"https:\/\/esmusica.org\/blog\/apm-presenta-el-anuario-de-la-musica-en-vivo\/\" title=\"APM PRESENTA EL ANUARIO DE LA M\u00daSICA EN VIVO\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[12,13,26],"class_list":["post-218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","tag-esmusica","tag-industria-musical","tag-musica"],"_links":{"self":[{"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/posts\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":2,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":222,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/posts\/218\/revisions\/222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/media\/221"}],"wp:attachment":[{"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/esmusica.org\/blog\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}